Propellerhead Reason - 4.0 Instrukcja Operacji Strona 262

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NN-XT SAMPLER
260
The Tab Bar area
This area gives you a visual indication of the key range of a selected zone. By clicking
and dragging the “handles” at the key range boundaries, you can resize the key
ranges, and by clicking in between the handles, you can move the key ranges without
changing their length.
The Key Range area
This area in the middle of the key map display is where you keep track of all the zones
and the relationship between them. You can also move and resize the zones just like
in the Tab Bar area, as described above.
The Scrollbars
There are both horizontal and vertical scrollbars that work just like regular scrollbars.
Whenever there is more information in the key map display than what fits on a “single
screen”, you can use the scrollbars to reveal it. Either click on the arrows or click and
drag the scrollbar handles.
Sample Parameters
This area shows the current values of basic parameters you can set for zones, such as
root key, play mode, output etc. The parameters are changed by using the knobs di-
rectly below the key map display.
Group Parameters
These parameters are adjusted on a per group basis (see page 276 for more informa-
tion on groups). Most of them relate to performance or playing style.
Synth Parameters
The bulk of the parameters on the remote editor are used for adjusting the sound of
the samples by applying filtering, envelope shaping, modulation (like vibrato and trem-
olo) and so on. We call these the synth parameters, since they are to a large extent
identical to those on a regular synthesizer.
About Samples and Zones
For a clear understanding of the terminology used when describing the various oper-
ations that can be performed in the key map display, it is important to clarify the dis-
tinction between a sample and a zone:
A Sample is a piece of audio that can be loaded into the NN-XT and played back.
A Zone could be viewed as a “container” for a loaded sample.
All loaded samples are placed in “Zones” in the key map display. You can then orga-
nize the zones as you please, and make various settings such as key- and velocity
ranges separately for each zone.
In other words, the settings you make are actually performed on the zones, but affect
the samples in them. Hence, when we talk about making settings for a zone, it is syn-
onymous with making settings for a sample - the sample that the zone contains.
Two or more zones can play the same sample, but with different parameter set-
tings, making them sound completely different.
A zone can be empty, playing no sample at all.
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