Propellerhead Reason - 4.0 Instrukcja Operacji Pobierz pdf (Strona 150)

TRANSPORT PANEL

148

Additional Transport Panel Items

Click

When this is activated, you will hear a click on each beat, with an accent on the down-

beat of each bar. The click is played back during recording and playback. You can ad-

just the volume of the click by using the Level knob.

Pre (pre-count)

If the “Pre” button is activated, a one bar metronome count-in will sound before actual

recording starts when clicking the Rec button.

Quantize Notes During Recording

If the Quantize Notes During Recording switch is activated on the Transport, notes

will automatically be quantized when you record them.

Record Automation as Performance Controllers

If you want to record parameter automation in the same way as for performance con-

trollers (pitch bend mod wheel etc.) - i.e. into the note clip and not into separate auto-

mation lanes, you can activate this. This way you can later move the clip and all related

parameter automation will be included. See Sequencer chapter in the Operation Man-

ual for more information.

Automation Override

Automation override is activated when you manually “grab” a parameter that is being

automated. If you change the setting of an automated parameter, the “Punched In” in-

dicator lights up, and the automation data is temporarily overridden, until you either

click the “Reset” button or press stop on the transport. As soon as you click Reset,

the automation regains control.

See page 67.

Audio Out Clipping Indicator

All signals that are being fed into the Hardware Interface (to your audio hardware’s

physical outputs) are monitored for clipping (signal overload) at the output stage.

If clipping occurs this indicator will light up, and stay lit for several seconds. If this hap-

pens, you should reduce the output level, in one of the following ways:

D If the signals are being sent to your Hardware Interface via a mixer de-

vice, you should reduce the master output level from the mixer.

This will ensure that the relative levels of the mix are kept intact. Alternatively, if the

current mix doesn’t represent a “final balance”, and the clipping seems to be

caused by individual channels in the mixer, you could also try reducing the output

of the connected device(s), or pulling down the channel faders a bit for the “of-

fending” channels.

! Clipping can only occur in the output stage of the Hardware Interface,

not in the Reason mixer or in any other Reason device. However, it is

good practice to keep all mixer channel and master levels as high as pos-

sible within the normal range, for best results. For example, having to

compensate channel levels by drastically reducing the Master output to

avoid clipping is indicative of the mixer channel levels being set too high.

✪ If you connect an MClass Maximizer effect (or an MClass Mastering

Suite Combi) between the final mixed output and the hardware interface,

you can maximize the loudness of your mix without risking hard clipping

distortion. See “The MClass effects” for details.

D If the Audio Out Clipping indicator lights up, and the signals are being

sent directly (not via a Mixer) to your Hardware Interface, you can check

the meters in the Hardware Interface. If the red segment of any of these

meters are momentarily lit, this indicates at which output(s) the clipping

is occurring.

Reduce the output level of all devices connected to outputs whose meters show

red.

DSP Meter

This bar graph shows the current DSP (processor) load. Note that this measures how

much of the total processor power the Reason “audio engine” currently is using up.

Graphics, MIDI and the “rest” of the Reason program is allotted the DSP power not

used by the audio engine, so audio always has priority.

ReGroove Mixer button

This opens the ReGroove mixer where you can apply advanced groove editing to af-

fect the timing of notes. How to use the ReGroove mixer is described in the chapter of

the same name in the Operation Manual.

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