Propellerhead Reason - 4.0 Instrukcja Operacji Pobierz pdf (Strona 261)

NN-XT SAMPLER

259

All of these knobs change the values of various parameters in the remote editor panel

and affect all loaded samples. Thus they can be used for quickly adjusting the overall

sound.

The knobs are bi-polar, which means that when they are centered, no parameter

change is applied. By turning them to the right you increase the corresponding value,

and by turning them to the left, you decrease the value.

Again, the movements of these parameters can be recorded as automation. This is

done just as with any other automation recording, see page 64.

The controls are, from left to right:

Filter

These two knobs each control a parameter of the filter (see page 279). Note that the

filter must be on for these to have any effect.

D Frequency

This changes the cutoff frequency of the filter.

D Resonance

This changes the resonance parameter of the filter, meaning - the filter character-

istic, or quality.

Amp Envelope

These three knobs control the Amplitude Envelope (see page 281) in the following

way:

D Attack

This changes the Attack value of the Amplitude Envelope. That is, how long it

should take for the sound to reach full level after you press a key on your keyboard.

D Decay

This changes the Decay value of the Amplitude Envelope. Decay determines how

long it should take for the sound to go back to the sustain level after it has reached

full value (see page 281) and the key that triggered the sound is still being

pressed.

D Release

This changes the Release value of the Amplitude Envelope. Release works just like

Decay with the exception that it determines how long it should take for the sound

to become silent after the key has been released.

Mod Envelope

This knob controls the Decay value of the Modulation Envelope (see page 280).

Also see above for a brief description of Decay.

Master Volume

This controls the main volume out from the NN-XT. Turn the knob to the right to in-

crease the volume.

Overview of the Remote

Editor panel

It is in the Remote Editor Panel that the main NN-XT action is going on, especially if

you’re creating your own patches. The remote editor is dominated by the key map dis-

play, and this is also the part on which we will concentrate to begin with.

The Key Map display

The key map display consists of a number of separate areas that let you do different

things. To help you navigate the key map display, these areas are described below.

The Info area

This displays the following information about the currently selected sample: Sample

rate, mono/stereo information, bit resolution and file size.

The Sample area

This area displays the names of the samples in each zone. It also allows you to change

the order of the zones by clicking and dragging them up and down.

The Group area

This area does not show any information. However, by clicking in it, you can instantly

select all the zones that belong to a certain group. See page 266 for information on

how to create groups.

The Keyboard area

Aside from the fact that is a guideline for setting up key ranges, it is also used for set-

ting the root keys of, and auditioning loaded samples. See page 270 and page 265

respectively for more information.

The Info area.

The Sample

area.

The Group

area.

The Keyboard area. The Tab Bar area.

The Key Range area.

The Scrollbars.

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