Propellerhead Reason - 4.0 Instrukcja Operacji Pobierz pdf (Strona 222)

THOR POLYSONIC SYNTHESIZER

220

Modulation Destinations - Global

The following Global modulation destinations are available:

Filter 1/ Filter 2 The following destinations are available on the Filter 1 and 2

sub-menus:

• Audio In - this allows you to connect an audio source (e.g.

an oscillator or an external audio signal) to the filter input.

• Frequency - this controls the filter frequency.

• Frequency (FM) - this will apply filter frequency modula-

tion.

The difference between Frequency and FM is that if a high

frequency audio signal (i.e. an oscillator or an external audio

signal) is the source, FM will not alter the basic frequency of

the source, only the timbre. If Frequency is used both the

pitch and the timbre will be affected.

• Resonance - this controls filter resonance.

• Drive - this controls the filter’s Drive parameter.

• Gender - this controls the Gender parameter (Formant fil-

ter only).

• LPHPMix - this controls the LP/HP parameter (State Vari-

able filter only).

Shaper Drive This will control the Shaper Drive parameter.

Amp The Amp section has three destinations on the sub-menu:

• Input - this allows you to connect a source (e.g. an oscilla-

tor or an external audio signal) to the Amp input.

• Gain - this controls the Amp Gain.

• Pan - this controls the Pan for each voice. Modulating this

parameter with for example LFO 1 means that the Pan po-

sition will modulate differently for each voice you play.

Mix The Mixer has three destinations on the sub-menu:

• Osc 1+2 Level - this controls the level of both oscillator 1

and 2.

• Osc 1:2 Balance - you can modulate the level balance be-

tween oscillator 1 and 2, e.g. to sweep from one oscillator

to the other.

• Osc 3 Level - this controls the level of oscillator 3.

Filter Envelope The Filter Envelope mod destinations are as follows:

• Gate - this is the gate input of the envelope. A gate signal

applied to this input will trigger the envelope.

• Attack - this controls the Attack of the envelope.

• Decay - this controls the Decay of the envelope.

• Release - this controls the Release parameter.

Amp Envelope This has the same destination parameters as the Filter Enve-

lope.

Mod Envelope This has the same destination parameters as the Filter Enve-

lope.

LFO 1 Rate This allows you to control the LFO 1 Rate parameter.

Parameter

Description

Parameter

Description

Portamento This allows you to control the Portamento time parameter.

LFO 2 Rate This allows you to control the LFO 2 Rate parameter.

Global Envelope The Global Envelope mod destinations are as follows:

• Gate - this is the gate input of the envelope. A gate signal

applied to this input will trigger the envelope.

• Attack - this controls the attack time of the envelope.

• Decay - this controls the decay time of the envelope.

• Release - this controls the release time of the envelope.

Filter 3 The following destinations are available on the Filter 3 sub-

menu:

• Left/Right In - this allows you to connect an a source to

the filter input.

• Frequency - this controls the filter frequency.

• Frequency (FM) - this will apply filter frequency modula-

tion.

• Resonance - this controls filter resonance.

• Drive - this controls the filter’s Drive parameter.

• Gender - this controls the Gender parameter (Formant fil-

ter only).

• LPHPMix - this controls the LP/HP parameter (State Vari-

able filter only).

Chorus The Chorus effect has the following destinations:

• DryWet balance

• Delay (time)

• ModRate

• ModAmount

• Feedback

Delay The Delay effect has the following destinations:

• DryWet balance

• Time

• ModRate

• ModAmount

• Feedback

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