Propellerhead Reason - 4.0 Instrukcja Operacji Pobierz pdf (Strona 241)

MALSTRÖM SYNTHESIZER

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Sequencer Control

The Sequencer Control CV and Gate inputs allow you to play the Malström from an-

other CV/Gate device (typically a Matrix or a Redrum). The signal to the CV input con-

trols the note pitch, while the signal to the Gate input delivers note on/off along with

velocity.

! For best results, you should use the Sequencer Control inputs with

monophonic sounds.

Gate Input

These inputs can receive a CV signal to trigger the following envelopes:

• Amp Envelope

• Filter Envelope

! Note that connecting to these inputs will override the normal triggering

of the envelopes. For example, if you connected a Modulation output to

the Gate Amp in-put, you would not trigger the amp envelope by playing

notes, as this is now controlled by the Modulator. In addition you would

only hear the Modulator triggering the envelope for the notes that you

hold down.

Modulation Input

These control voltage (CV) inputs (with associated voltage trim pots and A/B selector

switches), can modulate various Malström parameters from other devices, or from the

modulation outputs of the same Malström device. These inputs can control the follow-

ing parameters:

• Oscillator Pitch

• Filter Frequency

• Oscillator Index offset

• Oscillator Shift

• Amp Level

• Mod Amount

• Mod Wheel

Modulation Output

The Modulation outputs can be used to voltage control other devices, or other param-

eters in the same Malström device.

The Modulation Outputs are:

• Mod:A

• Mod:B

• Filter Envelope

Routing external audio to

the filters

The audio inputs on the back of the Malström allows you to connect any audio signal

to the filters and Shaper.

To use this feature, it’s important to understand the following background:

Normally the Malström behaves like any regular polyphonic synthesizer, in that each

voice has its own filter. The filter settings are the same, but each filter envelope is trig-

gered individually when you play a note.

However, when you connect a signal to the audio inputs, it is routed to an “extra” filter.

The envelope for this filter is triggered each time any of the other filter envelopes is

triggered. In other words, the “extra” filter envelope is triggered each time you play a

note on the Malström.

There are two different uses for the audio inputs:

Connecting an external signal source

Connecting an audio signal from another device in the rack to the audio input allows

you to process the signal through the filters and/or Shaper of the Malström. The pro-

cessed signal will then be mixed with the Malström’s “own” voices (if activated) and

sent to the outputs.

The result depends on the following:

• To which jack you connect the signal.

• Whether the filters and/or Shaper are activated on the front panel.

• The routing button for filter:B.

If this is activated and you connect a signal to the Filter:B input, the signal will be

processed in filter:B and then sent to the Shaper and filter:A (just as when routing

Malströms own oscillators on the front panel).

Note again that the filter envelope is triggered by all voices. To make use of the filter

envelope, you either need to play the Malström or use gate signals to trigger it or the

filter envelope, separately.

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