Propellerhead Reason - 1.0.1 Instrukcja Operacji

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Strona 2

THE SEQUENCER 8 Background: How recorded controllers are handled Even though the recording procedures are practically the same, the se-quencer handle

Strona 4

12 SUBTRACTOR SYNTHESIZER

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SUBTRACTOR SYNTHESIZER100IntroductionSubtractor is an analog-type polyphonic synthesizer based on subtractive synthesis, the method used in analog syn

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SUBTRACTOR SYNTHESIZER101! Please note that the descriptions of the waveforms sound or timbre is merely meant to provide a basic guideline, and should

Strona 7

SUBTRACTOR SYNTHESIZER102Setting Oscillator 1 Frequency - Octave/Semitone/CentBy clicking the corresponding up/down buttons you can tune, i.e. change

Strona 8 - Recording

SUBTRACTOR SYNTHESIZER103Noise GeneratorThe Noise Generator could be viewed as an oscillator that produces noise in-stead of a pitched waveform. Noise

Strona 9

SUBTRACTOR SYNTHESIZER104When phase offset modulation is activated, the oscillator creates a second waveform of the same shape and offsets it by the a

Strona 10 - Recording Pattern Changes

SUBTRACTOR SYNTHESIZER105Using the Noise Generator as the Modulator sourceAs explained earlier, the Noise Generator is internally routed to the Osc 2

Strona 11 - THE SEQUENCER

SUBTRACTOR SYNTHESIZER106The Filter SectionIn subtractive synthesis, a filter is the most important tool for shaping the overall timbre of the sound.

Strona 12 - Patterns to Sequencer

SUBTRACTOR SYNTHESIZER107➜ 12 dB Lowpass (LP 12)This type of lowpass filter is also widely used in analog synthesizers (Oberheim, early Korg synths et

Strona 13

THE SEQUENCER 9 ➜ Each pattern change will be recorded on a downbeat (at the start of a new bar in the sequencer). You can move pattern changes to ot

Strona 14 - Editing - About Snap

SUBTRACTOR SYNTHESIZER108➜ Highpass (HP12)A highpass filter is the opposite of a lowpass filter, cutting out the lower frequencies and letting the hig

Strona 15 - Editing in the Arrange

SUBTRACTOR SYNTHESIZER109Filter 1 Frequency The Filter Frequency parameter (often referred to as “cutoff”) determines which area of the frequency spec

Strona 16

SUBTRACTOR SYNTHESIZER110Envelopes - GeneralEnvelope generators are used to control several important sound parame-ters in analog synthesizers, such a

Strona 17 - Inserting and Removing Bars

SUBTRACTOR SYNTHESIZER111Filter EnvelopeThe Filter Envelope affects the Filter 1 Frequency parameter. By setting up a filter envelope you control the

Strona 18 - Using Groups

SUBTRACTOR SYNTHESIZER112LFO SectionLFO stands for Low Frequency Oscillator. LFO:s are oscillators, just like Osc 1 & 2, in that they also generat

Strona 19 - Resizing Groups

SUBTRACTOR SYNTHESIZER113LFO 2 ParametersLFO 2 is polyphonic. This means that for every note you play, an indepen-dent LFO cycle is generated, whereas

Strona 20 - Editing with Groups

SUBTRACTOR SYNTHESIZER114Play ParametersThis section deals with two things: Parameters that are affected by how you play, and modulation that can be a

Strona 21 - The Edit View

SUBTRACTOR SYNTHESIZER115Pitch Bend and Modulation WheelsThe Pitch Bend wheel is used for “bending” notes, like bending the strings on a guitar. The M

Strona 22 - Drawing and Editing Notes

SUBTRACTOR SYNTHESIZER116RetrigThis is the “normal” setting for playing polyphonic patches. That is, when you press a key without releasing the previo

Strona 23 - Using Cut, Copy and Paste

SUBTRACTOR SYNTHESIZER117ConnectionsFlipping the Subtractor around reveals a plethora of connection possibilities, most of which are CV/Gate related.

Strona 24 - Editing velocity

THE SEQUENCER 10 Copying REX loops and Patterns to Sequencer Tracks As described on page 136, you need to use the “To Track” function when us-ing the

Strona 25 - Editing Controllers

SUBTRACTOR SYNTHESIZER118

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13NN-19 DIGITAL SAMPLER

Strona 27

NN-19 DIGITAL SAMPLER120IntroductionA sampler could be described as a device capable of recording and repro-ducing audio material, like a tape recorde

Strona 28 - Selecting Pattern Changes

NN-19 DIGITAL SAMPLER121Fortunately Reason provides a wide range of high quality multisampled in-struments, so much of this hard work has already been

Strona 29 - Clearing Automation

NN-19 DIGITAL SAMPLER122About Key Zones and SamplesLoading a Sample into an empty NN-191. Create a new sampler device.2. Click on the sample browser b

Strona 30 - Quantizing

NN-19 DIGITAL SAMPLER123Setting the Key Zone Range ! Key zones cannot overlap.When you adjust the boundaries of a key zone, the surrounding boundaries

Strona 31 - The Change Events

NN-19 DIGITAL SAMPLER124Setting the Root KeyOnce you have defined a key zone, and added a sample, you should set the root key for the sample. ➜ Select

Strona 32

NN-19 DIGITAL SAMPLER125For each sample (or key zone), you can select the following Loop modes by using the Loop knob below the keyboard display:➜ OFF

Strona 33 - MIDI Files

NN-19 DIGITAL SAMPLER126NN-19 Synth ParametersThe NN-19 synth parameters are used to shape and modulate samples. These are mostly similar to the param

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NN-19 DIGITAL SAMPLER127The Filter SectionFilters are used for shaping the overall timbre of the sound. The filter in NN-19 contains a multimode filte

Strona 35 - ROUTING AUDIO AND CV

THE SEQUENCER 11 Redrum notes When you use this function with the Redrum, you should note the following: • The notes will have the pitch of the corre

Strona 36 - About Cables

NN-19 DIGITAL SAMPLER128Envelope Section! Please refer to the Subtractor chapter for a description of the basic envelope parameters.Envelope generator

Strona 37 - Automatic Routing

NN-19 DIGITAL SAMPLER129WaveformLFO 1 allows you to select different waveforms for modulating parameters. These are (from the top down):DestinationThe

Strona 38 - Manual Routing

NN-19 DIGITAL SAMPLER130The following parameters can be velocity controlled:Pitch Bend and Modulation WheelsThe Pitch Bend wheel is used for “bending”

Strona 39 - Using CV and Gate

NN-19 DIGITAL SAMPLER131RetrigThis is the “normal” setting for playing polyphonic patches. That is, when you press a key without releasing the previou

Strona 40

NN-19 DIGITAL SAMPLER132ConnectionsOn the back panel of the NN-19 you will find the connectors, which are mostly CV/Gate related. Audio OutputsThese a

Strona 42 - About the Various MIDI

DR. REX LOOP PLAYER134IntroductionThe Dr.Rex Loop Player is capable of playing back and editing files created in ReCycle, another product created by P

Strona 43 - Sending MIDI Data to

DR. REX LOOP PLAYER135Adding a LoopTo add a loop into the Dr.Rex Loop Player, proceed as follows:1. Open the browser by selecting “Browse ReCycle/REX

Strona 44

DR. REX LOOP PLAYER136Creating Sequencer NotesTo be able to make your REX loop start at the same time as other sequencer or pattern data, you first ha

Strona 45 - Controlling Devices

DR. REX LOOP PLAYER137Slice HandlingSelecting SlicesA selected slice is indicated by being highlighted in the waveform display. To select a slice, use

Strona 46 - Recording Pattern changes

THE SEQUENCER 12 Editing - About Snap When you select and edit material (both in the Arrange View and the Edit View), the Snap (Snap to Grid) functio

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DR. REX LOOP PLAYER138Dr.Rex Synth ParametersThe Dr.Rex synth parameters are used for shaping and modulating the sound of the REX loops. These paramet

Strona 48 - Introducing ReWire!

DR. REX LOOP PLAYER139Filter Frequency The Filter Frequency parameter (often referred to as “cutoff”) determines which area of the frequency spectrum

Strona 49 - Launching and Quitting

DR. REX LOOP PLAYER140LFO SectionLFO stands for Low Frequency Oscillator. LFO:s are oscillators in the sense that they generate a waveform and a frequ

Strona 50 - Steinberg Cubase VST

DR. REX LOOP PLAYER141Velocity ControlVelocity is usually used to control various parameters according to how hard or soft you play notes on your keyb

Strona 51 - Cubase VST

DR. REX LOOP PLAYER142Setting Number of Voices - PolyphonyThis determines the polyphony, i.e. the number of voices, or slices, Dr.Rex can play simulta

Strona 52 - Emagic Logic Audio

DR. REX LOOP PLAYER143ConnectionsOn the back panel of Dr.Rex you will find the connectors, which are mostly CV/Gate related. Using CV/Gate is describe

Strona 53 - Digital Performer

DR. REX LOOP PLAYER144

Strona 54 - Tempo Settings

15MATRIX PATTERN SEQUENCER

Strona 55

MATRIX PATTERN SEQUENCER146IntroductionThe Matrix is a pattern-based device. Matrix doesn’t generate sound on its own, but has to be connected to anot

Strona 56 - MIDI Remote Mapping

MATRIX PATTERN SEQUENCER147Programming Patterns! Pattern programming basics is covered in “Programming Pattern Devices”.TutorialThe programming proced

Strona 57 - Enabling MIDI Remote

THE SEQUENCER 13 Editing in the Arrange View The Arrange View allows you to view several tracks at the same time, and provides a good overview of the

Strona 58 - Editing MIDI Remote Mapping

MATRIX PATTERN SEQUENCER148➜ If you now click or drag in the lower gate section while the pattern is playing, you can hear how the timbre and volume c

Strona 59 - Keyboard Remote

MATRIX PATTERN SEQUENCER149About Unipolar and Bipolar CurvesOn the back panel of the Matrix you will find a switch, allowing you to select between “Un

Strona 60 - Saving Remote Setups

MATRIX PATTERN SEQUENCER150Setting Pattern ResolutionMatrix always follows the tempo setting on the transport panel, but you can also make Matrix play

Strona 61 - SYNCHRONIZATION

MATRIX PATTERN SEQUENCER151Chaining Patterns! Selecting Patterns and Banks and using Cut, Copy and Paste with Patterns is described in the chapter “Pr

Strona 62 - Master/Slave

MATRIX PATTERN SEQUENCER152Example UsageAs mentioned previously, the Matrix is a very flexible device. Here follows a few examples of how you can use

Strona 63 - Same Computer

MATRIX PATTERN SEQUENCER153Triggering SamplesThe Gate CV output can be used to trigger samples, either in Redrum or in the NN-19 Sampler.➜ Connect the

Strona 64 - MacOS: Slaving Reason

MATRIX PATTERN SEQUENCER154

Strona 65 - Considerations

16REBIRTH INPUT MACHINE

Strona 66 - About Tempo Changes

REBIRTH INPUT MACHINE156IntroductionThe ReBirth Input Machine is a device dedicated to receiving audio from the Propellerhead program “ReBirth RB-338”

Strona 68 - Optimization and Output

THE SEQUENCER 14 Duplicating Events To duplicate the selected events, hold down [Option] (Mac) or [Ctrl] (Win-dows) and proceed as when moving events

Strona 69 - Optimizing Songs

THE EFFECT DEVICES158Common Device FeaturesWhile the specific parameters for each device are described below, some features and procedures are common

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THE EFFECT DEVICES159RV-7 Digital ReverbReverb adds ambience and creates a space effect. Normally, reverb simu-lates some kind of acoustic environment

Strona 71 - Requirements

THE EFFECT DEVICES160DDL-1 Digital Delay LineThis is a mono delay (with the output pannable in stereo) that can be syn-chronized to the song tempo. Th

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THE EFFECT DEVICES161D-11 Foldback DistortionThe D-11 is a simple but effective distortion effect, capable of producing any-thing from just a whisper

Strona 73 - TRANSPORT PANEL

THE EFFECT DEVICES162The Filter ParametersThe ECF-42 filter section has the following parameters:The Envelope ParametersThis is a standard envelope ge

Strona 74 - Overview

THE EFFECT DEVICES163Pattern Controlled Filter - An ExampleThis example shows how to use the ECF-42 and the Matrix to create pattern controlled filter

Strona 75

THE EFFECT DEVICES164CF-101 Chorus/FlangerThe CF-101 is a combined chorus and flanger effect. It adds depth and movement to the sound by adding a shor

Strona 76 - Audio Out Clipping Indicator

THE EFFECT DEVICES165PH-90 PhaserThe PH-90 Phaser is a classic phaser effect with some special features for fine-tuning the sound. It can create the c

Strona 77 - CPU Meter

THE EFFECT DEVICES166COMP-01 Auto Make-up Gain CompressorThe COMP-01 compressor levels out the audio, by making loud sounds softer. To compensate for

Strona 78

THE EFFECT DEVICES167PEQ-2 Two Band Parametric EQWhile there is a simple two-band shelving equalizer available for each chan-nel in the mixer, the PEQ

Strona 79 - REASON HARDWARE INTERFACE

THE SEQUENCER 15 Inserting and Removing Bars When editing the overall structure of a song, you may need to rearrange the order and length of whole se

Strona 80 - MIDI In Device

THE EFFECT DEVICES168

Strona 81 - Audio Out

18MENU AND DIALOG REFERENCE

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MENU AND DIALOG REFERENCE170File MenuNewWhen you select this, a new, empty song appears. The exact contents of this song is determined by the contents

Strona 83 - THE MIXER

MENU AND DIALOG REFERENCE171Song Information...This brings up a dialog that allows you to add contact information, comments about the song, etc. Furth

Strona 84 - The Channel Strip

MENU AND DIALOG REFERENCE172Song Self-contain Settings...A self-contained song contains not only the references to the used files, but also the files

Strona 85 - Channel Strip Controls:

MENU AND DIALOG REFERENCE173Import MIDI File...Reason can import standard MIDI files (SMF). This allows you to import MIDI data to Reason from other a

Strona 86 - The Master Fader

MENU AND DIALOG REFERENCE174Export Song/Loop as Audio File...When you have created a complete song, you may want to mix it down to an audio file to ma

Strona 87

MENU AND DIALOG REFERENCE175Edit MenuUndoVirtually all actions in Reason can be undone. This includes creation, dele-tion and reordering of devices in

Strona 88 - Chaining Mixers

MENU AND DIALOG REFERENCE176Transferring patterns between Reason songsIf you want to copy patterns between different Reason songs, you use copy and pa

Strona 89

MENU AND DIALOG REFERENCE177Browse Samples...RedrumTo use this menu item to load a new drum sound into Redrum, proceed as follows:1. Select a channel

Strona 90

THE SEQUENCER 16 Using Groups Sometimes it is practical to work with a section of events as one entity. This is done by Grouping the events. You may

Strona 91 - Using Patches

MENU AND DIALOG REFERENCE178Delete Sample/Remove SampleRedrum➜ To remove a sample from a Redrum drum machine, select its drum sound channel and then s

Strona 92

MENU AND DIALOG REFERENCE179Shift Drum Left/RightThese menu items are used for the Redrum.The Shift Drum functions move the notes for the selected ins

Strona 93 - Step Dynamics

MENU AND DIALOG REFERENCE180Find Identical GroupsThis command helps you locate all Groups with the same contents:1. Select a Group.2. Select “Find Ide

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MENU AND DIALOG REFERENCE181Quantize NotesIn Reason, you use the Quantize function in the following way:1. Select the notes you want to quantize.Only

Strona 95 - Redrum Parameters

MENU AND DIALOG REFERENCE182VelocityAdjusts the velocity of the selected notes.➜ The Add field lets you add a fixed amount to the velocity values.To s

Strona 96 - Level and Velocity

MENU AND DIALOG REFERENCE183Preferences – GeneralMouse Knob RangeThis lets you adjust the response sensitivity of the various knobs in Reason when man

Strona 97 - Global Settings

MENU AND DIALOG REFERENCE184Preferences – AudioMaster TuneThis lets you adjust the global tuning in Reason. Standard tuning is “middle A” at 440 Hz. Y

Strona 98 - Using Redrum as a Sound

MENU AND DIALOG REFERENCE185Output LatencyThe Output latency is the delay between when audio is “sent” from the pro-gram and when you actually hear it

Strona 99

MENU AND DIALOG REFERENCE186Preferences – MIDISequencer InputThe Sequencer is the “standard” port for receiving MIDI input. This is what you should be

Strona 100

MENU AND DIALOG REFERENCE187Preferences – Sound LocationsSound and Patch Search PathsReason songs and patches can contain references to other files on

Strona 101 - SUBTRACTOR SYNTHESIZER

THE SEQUENCER17Selecting GroupsTo select a Group, just click on it in the Arrange View.This Group is selected.➜ If you hold down [Shift] and click, yo

Strona 102 - The Oscillator Section

MENU AND DIALOG REFERENCE188Create MenuSequencer TrackTracks are automatically created when you create instrument devices in the rack. Still, you may

Strona 103

MENU AND DIALOG REFERENCE189Edit Keyboard Remote➜ To get an overview of which parameters are remote controllable se-lect “Edit Keyboard Remote” from t

Strona 104 - Oscillator 2 Waveform

MENU AND DIALOG REFERENCE190Clear All MIDI Remote MappingThis menu command removes all MIDI Remote mapping that you have set up for the song.Toggle Ra

Strona 105 - Phase Offset Modulation

MENU AND DIALOG REFERENCE191Windows Menu (MacOS Version)Window listThis lists all open song documents. Selecting one makes it the active win-dow.Help/

Strona 106 - Frequency Modulation (FM)

MENU AND DIALOG REFERENCE192Register Reason NowThis takes you to the Propellerhead Software registration pages. Once regis-tered you can download free

Strona 107 - Ring Modulation

19ABOUT AUDIO ON COMPUTERS

Strona 108 - The Filter Section

ABOUT AUDIO ON COMPUTERS194General InformationAudio QualityThe general audio quality in a computer based synthesizer system depends on two things:➜ Th

Strona 109

ABOUT AUDIO ON COMPUTERS195ReWire and LatencyWhen you run Reason as a ReWire slave, it is the other program, the Rewire master that is responsible for

Strona 110

ABOUT AUDIO ON COMPUTERS196Via an ASIO DriverThis is your best option if it is available. More and more audio cards designed for serious music and aud

Strona 111 - Filter 2

20MIDI IMPLEMENTATION

Strona 113 - Mod Envelope

THE SEQUENCER18Dividing GroupsYou can divide a Group into two by clicking with the Pencil tool at the desired position and dragging to the end of the

Strona 114 - LFO Section

MIDI IMPLEMENTATION198About This ChapterThis chapter briefly describes the way various MIDI messages are imple-mented in Reason. It is mainly intended

Strona 116 - Play Parameters

INDEX200AADSR 110AlterDrum 92Notes 30, 182Pattern 92, 150Arrange View 13ASIO Driver 196Audio Card Driver 184Audio Out Clipping 74Audio Outputs 79Audio

Strona 117 - Modulation Wheel

INDEX201Disable MIDI Priority Boost 186Disconnect (Routing) 36Distortion 161Dr.RexAbout 134Adding Loops 135Editing Slices 137Parameters 138Playing fro

Strona 118 - External Modulation

INDEX202Init patchRedrum 89Sampler 121Subtractor 100Input meter (Effect devices) 158Insert Bars Between Locators 15Internet Options 191KKey Lane 20Key

Strona 119 - Connections

INDEX203OOMS 41Open 170Outputs 79Overdub/Replace 6PParametric EQ 167Paste 175Patch Cables 36PatchesBrowsing 176Exporting 173Missing Sounds 176Redrum 8

Strona 120

INDEX204ResizingGroups 17Lanes in Edit View 19Notes 22Resolution (Audio) 174Resolution (Pattern) 91Reverb 159ReWireLatency 195Setting Up 47With Cubase

Strona 121 - NN-19 DIGITAL SAMPLER

INDEX205SongsCreating New 170End position 174Opening 170Optimizing 67Publishing 171Self-contained 172Splash Picture 171Sound and Patch Search Paths 18

Strona 122 - Principles

THE SEQUENCER19The Edit ViewThe Edit View allows you to perform detailed editing to the events on a single track. This is also where you create notes,

Strona 123 - About Audio File Formats

THE SEQUENCER20➜ For extensive editing, you may want to maximize the sequencer area so that it fills the window. This is done by clicking the Maximize

Strona 124 - About Key Zones and

THE SEQUENCER21Drawing notes1. If you want to restrict note input to certain note values (e.g. six-teenth notes), set the Snap value accordingly and a

Strona 125 - Adding Sample(s) to a Key Map

THE SEQUENCER22Resizing notesWhen you select a note, a handle appears on its right edge. You can click on this handle and drag to make the note shorte

Strona 126

THE SEQUENCER23Editing ControllersControllers are shown and edited in the Controller lane. This lane in turn is di-vided into several “subtracks”, one

Strona 127 - Automap Samples

THE SEQUENCER24Drawing and Editing ControllersRegardless of whether you’re editing recorded controllers or creating control-ler changes from scratch,

Strona 128 - NN-19 Synth Parameters

THE SEQUENCER25Deleting Controller sectionsYou can delete the selected controller section by pressing [Backspace] or [Delete] or by selecting Delete f

Strona 129

THE SEQUENCER263. Pull down the Pattern pop-up menu to the left in the Pattern lane, and select the pattern you want to insert.The selected pattern is

Strona 130 - Envelope Section

THE SEQUENCER27Deleting Pattern Change sectionsYou can delete the selected section of the Pattern Lane by pressing [Back-space] or [Delete] or by sele

Strona 131

TABLE OF CONTENTS

Strona 132

THE SEQUENCER28QuantizingThe Quantize function moves recorded notes to (or closer to) exact note value positions. This can be used for correcting erro

Strona 133

THE SEQUENCER29Quantizing to GroovesThe Quantize pop-up menu also contains three items named “Groove 1-3”. These are three different, slightly irregul

Strona 134

THE SEQUENCER30TransposeThis function transposes the selected notes up or down, by the specified number of semitones.VelocityAdjusts the velocity of t

Strona 135 - DR. REX LOOP PLAYER

THE SEQUENCER31Importing and Exporting MIDI FilesReason can import and export standard midi files (SMF). This allows you to transfer MIDI data between

Strona 137 - Adding a Loop

2ROUTING AUDIO AND CV

Strona 138 - Creating Sequencer

ROUTING AUDIO AND CV34About the various signals that can be routedThis chapter describes the various ways you can route signals in Reason. The followi

Strona 139 - Slice Handling

ROUTING AUDIO AND CV35Color CodingCables are color coded in the following way, making it easier to discern be-tween the various connections:• Audio co

Strona 140 - Dr.Rex Synth Parameters

ROUTING AUDIO AND CV36Bypassing Auto-Routing➜ If you wish to create a new device, without any auto-routing taking place, press [Shift] when creating t

Strona 141

ROUTING AUDIO AND CV37Using CV and GateCV/Gate is used for modulating and triggering device parameters. Each sep-arate Device chapter lists the availa

Strona 142

TABLE OF CONTENTS 2 5 The Sequencer 6 Recording10 Copying REX loops and Patterns to Sequencer Tracks12 Editing - About Snap13 Editing in the Arrange

Strona 143 - Velocity Control

ROUTING AUDIO AND CV38

Strona 145

ROUTING MIDI TO REASON40About the Various MIDI InputsAll MIDI Inputs are set up in the Preferences-MIDI dialog. This chapter de-scribes the various wa

Strona 146

ROUTING MIDI TO REASON41Sending MIDI Data to ReasonSetting up MIDI Inputs under Mac OSReason requires OMS to receive MIDI. How to install OMS is descr

Strona 147 - MATRIX PATTERN SEQUENCER

ROUTING MIDI TO REASON424. Save your OMS Studio Setup.The OMS IAC port naming dialog.Selecting IAC busses in Reason’s MIDI Preferences.Setting up comm

Strona 148

ROUTING MIDI TO REASON434. Open the MIDI input pop-up for the MIDI Input port(s) that should re-ceive the incoming MIDI, and select the LB port that y

Strona 149 - Programming Patterns

ROUTING MIDI TO REASON44➜ If you want to manually play (i.e not recorded MIDI data) Reason de-vices in real time from inside another sequencer program

Strona 150 - Using Curve Patterns

4USING REASON AS A REWIRE SLAVE

Strona 151 - Using Tied Notes

USING REASON AS A REWIRE SLAVE46About this ChapterThis chapter describes how to use Reason as a ReWire slave, that is with Reason delivering audio to

Strona 152 - Pattern Functions

USING REASON AS A REWIRE SLAVE47Still, you should be aware that running two powerful audio applications on one computer will require a fast processor

Strona 153 - Chaining Patterns

TABLE OF CONTENTS 3 65 Optimizing Performance 66 Introduction66 Optimization and Output Latency67 Optimizing Your Computer System67 Optimizing Songs6

Strona 154 - Example Usage

USING REASON AS A REWIRE SLAVE48Steinberg Cubase VSTCubase VersionsIn this description we assume you are using Cubase VST 5.0 on the MacOS or Windows

Strona 155 - Triggering Samples

USING REASON AS A REWIRE SLAVE49How the ReWire Channels are handled in Cubase VSTWhen you activate ReWire channels in the ReWire window in VST, as de-

Strona 156

USING REASON AS A REWIRE SLAVE50Emagic Logic AudioIn this description we assume you are using a version of Logic Audio that is later than 4.6.Activati

Strona 157 - REBIRTH INPUT MACHINE

USING REASON AS A REWIRE SLAVE51Mark of the Unicorn Digital PerformerPerformer VersionsIn this description we assume you are using Digital Performer v

Strona 158 - Preparations

USING REASON AS A REWIRE SLAVE52Using the Transport and Tempo ControlsBasic Transport ControlsWhen you run ReWire, the transports in the two programs

Strona 159 - THE EFFECT DEVICES

5MIDI AND KEYBOARD REMOTE CONTROL

Strona 160 - Common Device Features

MIDI AND KEYBOARD REMOTE CONTROL54IntroductionIt is possible to assign computer keyboard commands and/or MIDI controller messages to most Reason devic

Strona 161 - RV-7 Digital Reverb

MIDI AND KEYBOARD REMOTE CONTROL55Example MIDI SetupsThere are several possible variables when it comes to what type of MIDI setup you are using. Plea

Strona 162 - DDL-1 Digital Delay Line

MIDI AND KEYBOARD REMOTE CONTROL56Editing MIDI Remote Mapping1. To get an overview of which parameters are MIDI remote controlla-ble select “Edit MIDI

Strona 163 - Controlled Filter

MIDI AND KEYBOARD REMOTE CONTROL57Keyboard RemoteAssigning keyboard remote commands is very similar to MIDI remote map-ping. However, as there is no M

Strona 164 - CV/Gate Inputs

TABLE OF CONTENTS 4 155 ReBirth Input Machine 156 Introduction156 Preparations156 Routing 157 The Effect Devices 158 Common Device Features159 RV-7 D

Strona 165

MIDI AND KEYBOARD REMOTE CONTROL58About the two Edit Keyboard Remote ModesIf Edit Keyboard Remote is enabled (ticked) on the Options menu, assigned pa

Strona 167 - PH-90 Phaser

SYNCHRONIZATION60ReWire users – Read This!This chapter does not apply to users of ReWire. If you are using Reason to-gether with a ReWire compatible a

Strona 168 - Gain Compressor

SYNCHRONIZATION61Under Windows, if you can’t find the MIDI Input you want to use, there is ei-ther something wrong with the installation of the interf

Strona 169 - Parametric EQ

SYNCHRONIZATION623. Pull down the MIDI Clock pop-up and select the corresponding MIDI routing utility port (IAC, HLD etc.).Windows: Reason set up to s

Strona 170

SYNCHRONIZATION63Synchronization ConsiderationsAdjusting for LatencyLatency compensation (MacOS version)Because of the latency problem described on pa

Strona 171 - MENU AND DIALOG REFERENCE

SYNCHRONIZATION64About Tempo ChangesAgain, due to the latency phenomenon, Reason needs a bit of time to adjust to changes in tempo. If there are abrup

Strona 172 - File Menu

7OPTIMIZING PERFORMANCE

Strona 173 - Publish Song

OPTIMIZING PERFORMANCE66IntroductionReason is a program of infinite possibilities. You can create as complex songs as you like, using endless racks of

Strona 174 - Song Self-contain Settings

OPTIMIZING PERFORMANCE67Optimizing Your Computer SystemIn this manual we do not have the possibility to give you detailed procedures for optimizing yo

Strona 176 - Export REX as MIDI File

OPTIMIZING PERFORMANCE68Polyphonic Devices – Subtractor, NN19, Dr. Rex and Redrum➜ Try making the device play fewer voices.This can be done for exampl

Strona 177 - Edit Menu

OPTIMIZING PERFORMANCE69Songs and Memory RequirementsSongs not only use up system resources in terms of processing power, they also require RAM (memor

Strona 180

TRANSPORT PANEL72OverviewThe transport panel has standard controls for the sequencer transport, but also features controls for setting tempo, metronom

Strona 181

TRANSPORT PANEL73Tempo and Time SignatureThe tempo and time signature settings can be adjusted on the transport panel. The left tempo field sets the t

Strona 182 - Matrix notes

TRANSPORT PANEL74Additional Transport Panel ItemsClickWhen this is activated, you will hear a click on each beat, with an accent on the downbeat of ea

Strona 183 - Change Events

TRANSPORT PANEL75➜ If the Audio Out Clipping indicator lights up, and the signals are be-ing sent directly (not via a Mixer) to your Hardware Interfac

Strona 184 - Alter Notes

TRANSPORT PANEL76

Strona 185 - Preferences – General

9REASON HARDWARE INTERFACE

Strona 186 - Preferences – Audio

THE SEQUENCER 6 Recording Recording and Playback Basics The basic procedures for recording and playback are described in the Get-ting Started book. H

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REASON HARDWARE INTERFACE78IntroductionThe Hardware Interface is where you connect Reason with the “outside world”. This is where MIDI is received, an

Strona 188 - Preferences – MIDI

REASON HARDWARE INTERFACE79Audio OutReason supports up to 64 audio output channels.➜ Each output features a meter and a green indicator which will be

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THE MIXER82IntroductionThe Mixer 14:2 allows you to control the level, stereo placement (Pan), tone (EQ) and effect mix (AUX Sends) of each connected

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THE MIXER83Channel Strip Controls:|Item|Description|Value RangeChannel Fader The channel fader is used to control the output level of each correspondi

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THE MIXER84The Mixer Signal FlowThe basic signal flow of the Mixer 14:2 is as follows:Note that the Solo function is true “in-place” solo, meaning tha

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THE MIXER85ConnectionsAll input and output connectors are as usual located on the back panel of the Mixer 14:2. Special connectors are used for “chain

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THE MIXER86Chaining MixersTwo chained Mixers are connected like this, the top Mixer being the “Master” Mixer.If you need more Mixer channels, you can

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THE SEQUENCER 7 Recording automation of a device parameter 1. Make sure there is a sequencer track for the device. For the instrument devices and the

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REDRUM88IntroductionAt first glance, Redrum looks styled after pattern-based drum machines, like the legendary Roland 808/909 units. Indeed, it does h

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REDRUM89Using PatchesWhen you create a new Redrum device it is empty. Before it can play back any audio you must first load a Redrum patch (or create

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REDRUM90Programming PatternsAbout Pattern SelectionAs described in the Getting Started book, each pattern device (such as the Redrum) has 32 pattern m

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REDRUM91About the “Edit Steps” SwitchIf you set the pattern length to more than 16 steps, the pattern steps follow-ing after the 16th won’t be visible

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REDRUM92FlamA flam is when you double-strike a drum, to create a rhythmic or dynamic ef-fect. Applying flam to a step entry will add a second “hit” to

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REDRUM93Redrum ParametersDrum Sound SettingsRedrum features ten drum sound channels that can each be loaded with a Wave or AIFF sample. Although they

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REDRUM94Level and VelocityThe Level knob sets the volume for the channel. However, the volume can also be affected by velocity (as set with the Dynami

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REDRUM95Pitch BendBy setting the Bend knob to a positive or negative value, you specify the start pitch of the sound (relative to the Pitch setting).

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REDRUM96High Quality InterpolationWhen this is activated, the sample playback is calculated using a more ad-vanced interpolation algorithm. This resul

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REDRUM97ConnectionsOn the back of the Redrum you will find the following connections:For each drum sound channel:Others|Connection|DescriptionAudio Ou

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