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NN-19 SAMPLER
145
Envelope Section
Envelope generators are used to control several important sound parameters in
analog synthesizers, such as pitch, volume, filter frequency etc. Envelopes gov-
ern how these parameters should respond over time - from the moment a note is
struck to the moment it is released.
Standard synthesizer envelope generators have four parameters; Attack, Decay,
Sustain and Release (ADSR).
There are two envelope generators in the NN-19, one for volume, and one for
the filter frequency.
! Please refer to the Subtractor chapter for a description of the basic
envelope parameters.
Amplitude Envelope
The Amp Envelope is used to adjust how the volume of the sound should
change from the time you press a key until the key is released. By setting up a
volume envelope you sculpt the sound’s basic shape with the four Amplitude En-
velope parameters, Attack, Decay, Sustain and Release. This determines the ba-
sic character of the sound (soft, long, short etc.). The Level parameter acts as a
general volume control for the sample patch.
Filter Envelope
The Filter Envelope can be used to control two parameters; filter frequency and
sample pitch. By setting up a filter envelope you control the how the filter fre-
quency and/or the sample pitch should change over time with the four Filter En-
velope parameters, Attack, Decay, Sustain and Release.
Filter Envelope Amount
This parameter determines to what degree the filter will be affected by the Filter
Envelope. Raising this knob’s value creates more drastic results. The Envelope
Amount parameter and the set filter frequency are related. If the Filter Freq slider
is set to around the middle, this means that the moment you press a key the filter
is already halfway open. The set Filter Envelope will then open the filter further
from this point. The Filter Envelope Amount setting affects how much further the
filter will open.
Filter Envelope Invert
If this button is activated, the envelope will be inverted. For example, normally the
Decay parameter lowers the filter frequency, but after activating Invert it will in-
stead raise it, by the same amount. Note that Invert does not affect the Osc pitch
parameter (this can be inverted by setting positive or negative values).
LFO Section
LFO stands for Low Frequency Oscillator. LFOs are oscillators in the sense that
they generate a waveform and a frequency. However, there are two significant
differences compared to normal sound generating oscillators:
• LFOs only generate waveforms with low frequencies.
• The output of the two LFOs are never actually heard. Instead they are used
for modulating various parameters.
The most typical application of an LFO is to modulate the pitch of a (sound gen-
erating) oscillator or sample, to produce vibrato.
The LFO section has the following parameters:
- , Operation Manual 1
- Table of Contents 3
- TABLE OF CONTENTS 4
- The Sequencer 9
- Recording 10
- Recording Pattern Changes 12
- THE SEQUENCER 13
- Copying REX loops and 14
- Patterns to Sequencer 14
- Editing - About Snap 16
- Editing in the Arrange 17
- Duplicating Events 18
- Using Cut, Copy and Paste 18
- Deleting Events 18
- Inserting and Removing Bars 19
- Using Groups 20
- Selecting Groups 21
- Resizing Groups 21
- Dividing Groups 22
- Combining Groups 22
- Find Identical Groups 22
- Ungrouping 22
- Editing with Groups 22
- The Edit View 23
- Drawing and Editing Notes 24
- Drawing notes 25
- Selecting notes 25
- Moving notes 26
- Duplicating notes 26
- Resizing notes 26
- About resizing drum notes 26
- Deleting notes 27
- Editing velocity 27
- Editing Controllers 28
- Inserting Pattern Changes 31
- Quantizing 33
- The Change Events Dialog 34
- Importing and Exporting 36
- MIDI Files 36
- D Routing Audio and CV 37
- About the various signals 38
- About Cables 38
- Automatic Routing 39
- Manual Routing 40
- Using CV and Gate 41
- ROUTING AUDIO AND CV 42
- D Routing MIDI to Reason 43
- About the Various MIDI 44
- Sending MIDI Data to 45
- Sending MIDI Data from 46
- Other Applications 46
- Controlling Devices 47
- Recording Pattern changes 48
- About this Chapter 50
- Why use Reason with 50
- Introducing ReWire! 50
- Preparations for Using 51
- ReWire - Mac OS 9 only 51
- Launching and Quitting 51
- Using the Transport and 52
- Tempo Controls 52
- Synchronization 52
- Routing Audio 52
- Routing MIDI via ReWire 2 53
- Converting ReWire 53
- Channels to Audio Tracks 53
- Details About Various 54
- ReWire Hosts 54
- MIDI Remote Mapping 56
- Example MIDI Setups 57
- Enabling MIDI Remote 57
- Editing MIDI Remote Mapping 58
- Keyboard Remote 59
- Saving Remote Setups 60
- D Synchronization 61
- ReWire users – Read This! 62
- What is Synchronization 62
- Slaving Reason to an 62
- External Device 62
- Slaving Reason to 63
- Another Program on the 63
- Same Computer 63
- Considerations 64
- About Tempo Changes 65
- SYNCHRONIZATION 66
- D Optimizing Performance 67
- Optimization and Output 68
- Optimizing Your 69
- Computer System 69
- Optimizing Songs 70
- Songs and Memory 71
- Requirements 71
- OPTIMIZING PERFORMANCE 72
- D Transport Panel 73
- Overview 74
- TRANSPORT PANEL 75
- MIDI Sync and Focus 76
- Automation Override 76
- Audio Out Clipping Indicator 76
- CPU Meter 77
- D Reason Hardware Interface 79
- MIDI In Device 80
- Audio Out 81
- REASON HARDWARE INTERFACE 82
- D The Mixer 83
- The Channel Strip 84
- Channel Strip Controls: 85
- The Mixer signal flow 86
- About the EQ modes 86
- The Auxiliary Return 86
- The Master Fader 86
- Chaining Mixers 88
- D Redrum 89
- Using Patches 91
- Step Dynamics 93
- The Pattern Enable switch 94
- Redrum Parameters 95
- Level and Velocity 96
- Global Settings 98
- Using Redrum as a Sound 99
- D Subtractor Synthesizer 101
- Introduction 102
- The Oscillator Section 102
- Semitone/Cent 103
- Oscillator Keyboard Tracking 104
- Using Oscillator 2 104
- Oscillator 2 Waveform 104
- Noise Generator 105
- Phase Offset Modulation 105
- Frequency Modulation (FM) 106
- The Filter Section 107
- SUBTRACTOR SYNTHESIZER 109
- Filter 1 Frequency 110
- Resonance 110
- Filter Keyboard Track (Kbd) 110
- Envelopes - General 111
- Amplitude Envelope 112
- Filter Envelope 112
- LFO Section 113
- LFO 2 Parameters 114
- Play Parameters 115
- Pitch Bend Range 116
- Portamento (Time) 117
- External Modulation 118
- Connections 118
- Modulation Inputs 119
- Modulation Outputs 119
- Gate Inputs 119
- D Malström Synthesizer 121
- The Oscillator section 123
- The amplitude envelopes 124
- The Modulator section 125
- The Filter section 126
- Filter types 127
- The Filter Envelope 128
- The Shaper 129
- Routing examples 130
- Adding the shaper 131
- The play controls 132
- The Velocity controls 133
- Routing external audio to 135
- MALSTRÖM SYNTHESIZER 136
- D NN-19 Sampler 137
- General Sampling 138
- Principles 138
- About Audio File Formats 139
- About Key Zones and 140
- Creating Key Zones 141
- Selecting Key Zones 141
- Setting the Key Zone Range 141
- Deleting a Key Zone 141
- NN-19 SAMPLER 142
- The Sample knob 142
- Looping Samples 143
- Automap Samples 144
- NN-19 Synth Parameters 145
- Envelope Section 147
- Velocity Control 149
- D NN-XT Sampler 153
- Panel Overview 154
- Loading Complete 155
- Patches and REX Files 155
- Using the Main Panel 156
- High Quality Interpolation 157
- Global Controls 157
- Overview of the Remote 158
- Editor panel 158
- About Samples and Zones 159
- Selections and Edit Focus 160
- Moving Edit Focus 161
- Adjusting Parameters 162
- Managing Zones and 163
- NN-XT SAMPLER 164
- A newly added empty zone 164
- Working with Grouping 165
- Working with Key Ranges 166
- Dragging multiple zones 168
- Setting Root Notes and 169
- Using Automap 170
- Layered, Crossfaded and 171
- Velocity Switched Sounds 171
- Overlapping Velocity Ranges 172
- Using Alternate 174
- Sample Parameters 175
- Group Parameters 176
- Synth parameters 177
- The Pitch section 180
- The Modulation Envelope 182
- The Amplitude Envelope 183
- The LFOs 184
- D Dr. Rex Loop Player 187
- About File Formats 188
- Adding a Loop 189
- Creating Sequencer Notes 190
- Slice Handling 191
- Dr.Rex Synth Parameters 192
- Audio Quality Settings 196
- DR. REX LOOP PLAYER 198
- D Matrix Pattern Sequencer 199
- Programming Patterns 201
- Using Curve Patterns 202
- Setting Pattern Length 203
- Using Tied Notes 203
- Setting Pattern Resolution 204
- Pattern Shuffle 204
- Pattern Mute 204
- Pattern Functions 204
- Chaining Patterns 204
- MATRIX PATTERN SEQUENCER 205
- Example Usage 206
- Triggering Samples 207
- D ReBirth Input Machine 209
- Preparations 210
- D BV512 Vocoder 211
- Setting up for basic 213
- Vocoded vocals 214
- Using the BV512 as an 215
- BV512 parameters 216
- Automation 218
- Tips and tricks 218
- Choosing a modulator sound 219
- Controlling the Hold function 220
- Using the BV512 as a reverb 222
- Creating a stereo reverb 223
- BV512 VOCODER 224
- D The Effect Devices 225
- Common Device Features 226
- Scream 4 Sound 227
- Destruction Unit 227
- THE EFFECT DEVICES 228
- Cut section (EQ) 229
- Body section 229
- About the envelope follower 229
- CV inputs and outputs 230
- RV7000 Advanced Reverb 232
- Selecting an algorithm 234
- Small Space 234
- Multi Tap 237
- The EQ section 239
- The Gate section 239
- CV Inputs 240
- RV-7 Digital Reverb 241
- DDL-1 Digital Delay Line 242
- D-11 Foldback Distortion 243
- ECF-42 Envelope 243
- Controlled Filter 243
- The Filter Parameters 244
- The Envelope Parameters 244
- CV/Gate Inputs 244
- CF-101 Chorus/Flanger 246
- PH-90 Phaser 247
- UN-16 Unison 248
- COMP-01 Auto Make-up 248
- Gain Compressor 248
- PEQ-2 Two Band 249
- Parametric EQ 249
- Spider Audio Merger & 250
- Splitter 250
- Spider CV Merger & 251
- Splitting CV 253
- D Menu and Dialog Reference 255
- Reason Menu (Mac OS X) 256
- File Menu 256
- Song Information 257
- Publish Song 257
- Song Self-contain Settings 258
- Import MIDI File 259
- Export MIDI File 259
- Export Device Patch 259
- Edit Menu 260
- Initialize Patch 261
- Select All 261
- Browse Device Patches 261
- Browse ReCycle/REX Files 262
- Browse Samples 262
- Delete Sample/Remove Sample 263
- Delete Unused Samples 263
- Split Key Zone 263
- Delete Key Zone 263
- MENU AND DIALOG REFERENCE 264
- Redrum notes 265
- Get User Groove 266
- Clear Automation 266
- Quantize Notes 266
- Change Events 266
- Reload Samples 267
- Add Zone 267
- Automap Zones 269
- Create Velocity Crossfades 269
- Preferences – General 270
- Preferences – Audio 271
- Audio Card Driver – Mac OS X 272
- Preferences – MIDI 275
- Preferences – Advanced MIDI 275
- Preferences – Sound Locations 276
- Create Menu 277
- Options Menu 277
- Edit Keyboard Remote 278
- Clear All Keyboard Remote 278
- Enable MIDI Remote Mapping 278
- Edit MIDI Remote Mapping 278
- Clear All MIDI Remote Mapping 278
- Windows Menu 279
- (Windows Version) 279
- (Mac OS Version) 280
- Help/Contacts Menu 280
- Register Reason Now 281
- About Reason (Windows only) 281
- D About Audio on Computers 283
- General Information 284
- PC Specific Information 285
- Macintosh Specific 286
- Information 286
- ABOUT AUDIO ON COMPUTERS 287
- D MIDI Implementation 289
- MIDI IMPLEMENTATION 290
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